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Was Ancient Rome REALLY a sexual free-for-all?
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Goodwood and Galway update: Willie Mullins pair attract support for Galway Plate | Horse Racing News
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Rain gives Onassis real chance in Oak Tree
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There s a stunning shot more than halfway through Lars von Trier s Nymphomaniac: Vol. II , when Joe (Charlotte Gainsbourg), wandering through the wilderness, comes across a twisted tree jutting out of a rock. The tree has no shelter from gale-force winds, causing it to turn almost completely sideways, the roots still buried in the earth. Joe stands on a nearby rock, framed by the almost-horizontal tree in the foreground, and the camera pans around to the side to give us the magnificent long view. It is a grandiose shot, thematically driven and emotional in nature, operatic in scope. e.e. cummings wrote since feeling is first / who pays any attention / to the syntax of things. Both volumes of Nymphomaniac pay attention to both, the feeling and the underlying syntax of things , making the films a story of erotic misadventure as well as a meandering first draft of a many-footnoted thesis paper.