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Sheffield Chamber Music Festival 2024 - curator Steven Isserlis spotlights masterly Fauré and Saint-Saëns

A powerful reminder of the stature of Saint-Saëns from Ensemble 360 in Sheffield – Seen and Heard International

A powerful reminder of the stature of Saint-Saëns from Ensemble 360 in Sheffield – Seen and Heard International
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Roderick Williams, Nash Ensemble, Wigmore Hall review – sunshine and serenity

Booth, Nash Ensemble, Wigmore Hall online review – contemporary music programme lacks diversity

Booth, Nash Ensemble, Wigmore Hall online review - contemporary music programme lacks diversity | reviews, news & interviews Booth, Nash Ensemble, Wigmore Hall online review - contemporary music programme lacks diversity Booth, Nash Ensemble, Wigmore Hall online review - contemporary music programme lacks diversity Excellent playing and singing can’t disguise the absence of variety by Bernard HughesWednesday, 28 April 2021 The Nash Ensemble with soprano Claire Booth Wigmore Hall does not dish up a great deal of contemporary music, preferring a menu of mainstream chamber music. Wigmore Hall does not dish up a great deal of contemporary music, preferring a menu of mainstream chamber music. But this programme by the Nash Ensemble offered a different kind of mainstream: within the world of contemporary music this was a middle-of-the-road offering. A roster of composers including Harrison Birtwistle, Simon Holt and Mark-Antony Turnage, all at one time

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