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The Wanting Mare Review: A Visually Transporting Fable With a Stubbornly Opaque Story

The Wanting Mare Review: A Visually Transporting Fable With a Stubbornly Opaque Story The Wanting Mare Review: A Visually Transporting Fable With a Stubbornly Opaque Story Nicholas Ashe Bateman s directing debut is a triumph of dystopian world-building as three generations of women share the same dream of the world before. Mark Keizer, provided by FacebookTwitterEmail Running time: Running time: 89 MIN. The explanatory text that opens “The Wanting Mare,” Nicholas Ashe Bateman’s ambitious, epoch-spanning directing debut, informs us that in the city of Whithren, citizens are desperate to escape by booking passage on the once-a-year transport ship that carries wild horses to the wintry promised land of Levithen. These words, a fantasist’s delight, only barely set the table for what’s to come, a visually enthralling but elliptical and withholding quasi post-apocalyptic drama about three generations of Whithren women who carry with them the burdensome memories of �

The Fall & Rise of Hobo Johnson

The Fall & Rise of Hobo Johnson Frank Lopes Jr. the “Hobo” of Hobo Johnson & the Lovemakers has had, by all accounts, an eventful first 24 years. He has already been, in a very particular order: a troubled student, a homeless teen, a viral video sensation, scorned by Black Lives Matter, swooned over by fans, signed to Warner Bros. Records, Instagrammed by Snoop Dogg, and predicted to be “huge” by New York magazine. On the eve of his major-label debut and a tour schedule that will see him sharing the bill with many of the biggest acts in the world, the Sacramento poet-rapper is working hard to stay grounded at a time when he’s so clearly taking flight.

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