The University of New Mexico John Donald Robb Musical Trust and National Hispanic Cultural Center will present the ¡Música del Corazón! Baroque Fandangos of New Spain and Historic Fandangos of New Mexico on Sunday, Nov. 13, at 2:30 p.m. at the National.
by Emma Polen | features editor March 17, 2022 Pennsylvania Music Educators Association (PMEA) hosted its Region 1 Band Festival on Friday, March 11, with guest conductor and Duquesne alumni, Donald McKinney. The performance featured [.]
Rescue, as well as traditional and popular songs. View here for three days.
7:30 pm ET: Met Opera Streams presents Verdi’s
Luisa Miller. Starring Sonya Yoncheva, Olesya Petrova, Piotr Beczala, Plácido Domingo, Alexander Vinogradov, and Dmitry Belosselskiy, conducted by Bertrand de Billy. Production by Elijah Moshinsky. From April 14, 2018. View here and for 24 hours.
8 pm ET: Seattle Opera presents
The Big Opera Show. A journey through Seattle Opera s upcoming season featuring special guests and a performance by tenor, Lawrence Brownlee, who got his start in Seattle Opera’s young artist program.
The Big Opera Show is hosted by actor, director, and emcee Rebecca M. Davis with performers including Kenneth Kellogg and Karen Vuong. No fee to attend but donations made during the event will allow Seattle Opera to keep singing until it is safe to gather again. Register and view here.
Richard Strauss’s
Der Rosenkavalier. Vladimir Jurowski conducts Barrie Kosky’s new staging with Marlis Petersen (Die Marschallin), Samantha Hankey (Octavian), Katharina Konradi (Sophie), Christof Fischesser (Baron Ochs auf Lerchenau), and Johannes Martin Kränzle (Herr von Faninal). The new production will be performed in the arrangement by Eberhard Kloke which transcribes the score to match the orchestration of Strauss’s opera
Ariadne auf Naxos. View here.
12 pm ET: IDAGIO Global Concert Hall presents
Ex Cathedra: Baroque Passion. Jeffrey Skidmore and his choir Ex Cathedra present a program of passionate Lenten music by Kuhnau, Lotti, Monteverdi, and Purcell. It’s poignant music that yearns for resolution heart-rending as Mary weeps at the foot of the cross in Scarlatti’s