If the Taylor Swift-Travis Kelce relationship turns out to last, there could be a whole new slate of fans brought into the NFL, pop culture experts say.
Girdwood, Alaska’s young, but wise, songwriter
Ava Earl has a masterful control of her craft. Writing music and expressing emotions that demonstrate both maturity and an appreciation for life’s twists and turns, Earl’s efforts have culminated, thus far, in her brand new album, The Roses. Officially released 7/23/2021, The Roses was recorded in Nashville and produced by JT Nero, one half of the Americana-outfit, Birds of Chicago, and features hauntingly beautiful background vocals from Allison Russell and Awna Teixeira. The end result is a beautifully and intentionally crafted album that invokes images of natural wonder and fantasy alike, all while sticking closely to Earl’s own personal experiences. Fans can stream or purchase The Roses now at this
Ava Earl Releases Third Single The Roses, Title Track From Forthcoming Album gratefulweb.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from gratefulweb.com Daily Mail and Mail on Sunday newspapers.
Hailing from Girdwood, Alaska, 18-year-old
Ava Earl is no stranger to the beauty and drama the natural world has to offer. But it was diving into the fictional pages of Patricia C. Wrede’s The Enchanted Forest Chronicles that brought her new single “Cimorene” to life. The second of two singles ahead of her forthcoming album produced by JT Nero one half of Americana-outfit, Birds of Chicago “Cimorene” began as a sonic Christmas present for her parents, but was revisited, and ultimately finished, after Earl discovered Wrede’s stories during her quarantining. “The book was a sweet love story with a badass feminist female character named Cimorene,” Earl says. “[It was] right up my alley.” The song’s beautiful, winding melodies and organic, subtle instrumentation lend well to the embodiment of Earl’s adapted folk-tale-love-story; one that takes listeners from a ghostly, reverb and tremolo drenched intro and verse into a warm refrain of “I can’t grow old w