The hissing of a water hose spraying the ground reverberates around the walls of the dimly lit Empire Cinema in Lebanon’s capital, Tripoli. From the floor of a paint-chipped room that was once a ticket office, a man sorts through rusty bolts and screws, while in the adjacent foyer, a woman sweeps dust off a mirror.
The person leading the restoration efforts is 35-year-old actor and director Kassem Istanbouli, known for his theater work throughout Lebanon.
Several days per week, his team which includes a Syrian, a Palestinian, a Lebanese and a Bangladeshi drives three hours from their homes in