they couldn t assess artistic practices according to the usual criteria of exhibitions that have been on, so i think what began as a problem became a beautiful and meaningful solution to honour these practices that have a lot of continuity and investment and commitment to places that people have issues. the commitment to places that people have issues- have issues. the whole shortlist this ear have issues. the whole shortlist this year is have issues. the whole shortlist this year is collectives, - have issues. the whole shortlist this year is collectives, one - this year is collectives, one wonders what that says about the turner prize and what you have been looking to celebrate. you turner prize and what you have been looking to celebrate. turner prize and what you have been looking to celebrate. you know, each turner is different. looking to celebrate. you know, each turner is different. each looking to celebrate. you know, each turner is different. each jury - looking to ce
to see the turner exhibition, what did you make of the? did you make of the? i thought it was fantastic. did you make of the? i thought it was fantastic. i ve did you make of the? i thought it was fantastic. i ve always - did you make of the? i thought it was fantastic. i ve always felt - did you make of the? i thought it| was fantastic. i ve always felt that good art reflects the times that we live in. and the collectives have just taken that. from the length and breadth of britain. and they have taken those ideas of inclusivity, of diversity, of being able to create something during the most trying times and create something really beautiful. and i was absolutely knocked out by the beauty of all of the exhibits. it’s knocked out by the beauty of all of the exhibits- the exhibits. it s particularly fittin: the exhibits. it s particularly fitting that the exhibits. it s particularly fitting that coventry - the exhibits. it s particularly fitting that coventry has - the exhibi
we are presenting want to come into it. to show that we are presenting is want to come into it. to show that we are presenting is very - want to come into it. to show that we are presenting is very much a i we are presenting is very much a continuation we are presenting is very much a continuation and we are presenting is very much a continuation and making - we are presenting is very much a continuation and making visible i we are presenting is very much a . continuation and making visible of the ways continuation and making visible of the ways in continuation and making visible of the ways in which continuation and making visible of the ways in which we continuation and making visible of the ways in which we are - continuation and making visible of the ways in which we are already. the ways in which we are already working the ways in which we are already workinu. ~ ,, working. applause that was working. applause that was black - working. applause - that was black
seeing this exhibition and the turner prize has done for them. lovely. can i ask, again, how have the artist felt about being part of the artist felt about being part of the turner prize in a gallery? i the turner prize in a gallery? i guess you re going to have to ask them. given that they re all here i think there is plenty of opportunity to do that. i m not going to go there. . , . to do that. i m not going to go there. . v . , to do that. i m not going to go there. . , ., , ,., ., . there. that s a very diplomatic answer. there. that s a very diplomatic answer- we there. that s a very diplomatic answer. we can there. that s a very diplomatic answer. we can say there. that s a very diplomatic answer. we can say the - there. that s a very diplomatic- answer. we can say the exhibition is running tilljanuary 12 and it is really worth seeing, is in a? thank you so much. really worth seeing, is in a? thank you so much- really worth seeing, is in a? thank you so much. thank you
climate change being addressed in such a wonderful vivid way and marginalise people coming together and being given a voice, that s what everything has been about. it s being able to give people a voice. you mentioned people i think now and making a fact of much of the music scene of the late 70s and early 805, it scene of the late 70s and early 80s, it spoke about the political and social divisions with britain at large hook up i wonder looking at the turner shortlisted artist now if you feel the same energy from them? yes, absolutely. the energy i feel was fantastic. and so much fed into what we the people who were involved in 2 tone at the time and still are are talking about. good artists stuff to eight start conversations. we started the conversation about racism, weaver started the conversation about bringing people together and celebrating the things