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Marco de Vincenzo Unveils First Capsule for Marina Rinaldi, Buys Back Own Brand

Marco de Vincenzo Unveils First Capsule for Marina Rinaldi, Buys Back Own Brand Women s Wear Daily (WWD) 4 hrs ago Alessandra Turra MILAN Marco de Vincenzo has been tapped by Marina Rinaldi, Max Mara Group’s label dedicated to women with curves and plus-size figures, to design two capsule collections. The first capsule, created for the fall 2021 season, will hit the Marina Rinaldi boutiques, as well as the brand’s online store, in September. Previously, Marina Rinaldi worked with a range of designers, including Tsumori Chisato, Stella Jean, Fausto Puglisi, Roksanda Ilincic and Antonio Berardi. More from WWD The collaboration with Marina Rinaldi marks a return to the limelight for de Vincenzo. The designer, whose last fashion show dates back to February 2020, has bought back his namesake brand from his former partners, LVMH Moët Hennessy Louis Vuitton and MMGP Srl, a company that also controls Cieffe Milano, the manufacturing firm that used to produce

Hennessy louis vuittonMarina rinaldiTsumori chisatoStella jeanAntonio berardiFausto puglisiRoksanda ilincicMax mara groupMarco de vincenzoCieffe milanoமருதாணி லூயிஸ் வூடந்மெரினா ரிணாள்டிஸ்டெல்லா ஜீன்அன்டோனியோ பெரார்டிஃபாஸ்டோ புக்லிசிஅதிகபட்சம் மாரா குழு

Galerie Nathalie Obadia opens an exhibition of works by Sarkis

Galerie Nathalie Obadia opens an exhibition of works by Sarkis Sarkis, 2020.06.01 Bateba LOBI en Fang, 2020. Lipstick on paper and 32 cm high statuette, 18 1/8 x 24 1/32 in. (46 x 61 cm) © Sarkis. Courtesy of the artist and Galerie Nathalie Obadia Paris/Brussels. PARIS .-Galerie Nathalie Obadia is presenting Au commencement la chaleur, Sarkiss sixth exhibition, after Les vitraux mobiles de Sarkis in 2019 and Intérieurs in 2018. Born in 1938, in Istanbul, the artist moved to Paris in 1964, where he spent the last 60 years developing a prodigious body of work that defies any attempt at classification. Starting with Kriegsschatz (War Treasure) and Leidschatz (Pain Treasure), concepts that would inform his prolific career from 1976 onwards, Sarkis became a pioneering figure in the way he reflected on the history and aesthetics of pillaged or subtracted objects. At a time when international institutions have started to address this hot topic an area of particular concern for mu

Burkina fasoFrance generalFranche comterRepublic of armeniaHarald szeemannGalerie nathalie obadiaTsumori chisatoPhilippe dagenVenice biennaleJacques chiracQuai branlyWar treasurePain treasureCopper scenesBurned plansBarbara claasen schmal gallery

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