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Introduction review – tangled web of relationships from Korea to Berlin Peter Bradshaw Long after Lars von Trier’s Dogme 95 movement has been forgotten, with its tongue-in-cheek commitment to radically low-budget realist cinema, one director is still succeeding in releasing features that are cheaper than student films, composed of people simply talking to each other: in apartments, in restaurants over a lot of alcohol and in the streets with non-actors heedlessly walking past in the background. That director is the South Korean director Hong Sang-soo, who opens this online Berlin film festival with another intriguing and sympathetic vignette: enigmatically entitled Introduction, running at just 66 minutes, despite containing enough backstory detail for a two-hour drama. I’m not sure it is entirely successful, but it demonstrates Hong’s delicate touch in creating films that, like a certain type of short story or poem, suggest more depth and detail than is ap

Soult ukpyolsiSouth koreaSouth koreanTrier dogmeCho yunheeSeo young hwaHong sang sooShin seok hoKim young hoPark mi soKim min heeதெற்கு கொரியாதெற்கு கொரியன்எஸ்சிஓ இளம் ஹ்வாஹாங் பாடினார் சூதாடை செஓக் ஹோ