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John Ganz on Gerhard Richter - Artforum International

In March, New York’s David Zwirner opened its first solo exhibition of Gerhard Richter’s work since the painter’s defection to the megagallery from Marian Goodman, his gallerist of thirty-seven years. The show featured fourteen of his last paintings, completed in 2016 and 2017, made before the artist, now ninety-one, declared his retirement from painting. It also contained seventy-six drawings the products of the practice that replaced the physically arduous process of painting for Richter and a single glass-and-steel sculpture. If one were looking for a kind of retrospective, or a coda and

The Perks of Being a Wallflower

The Perks of Being a Wallflower
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