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Visitors to Rindon Johnson’s “The Law of Large Numbers: Our Bodies” at New York’s SculptureCenter (March 25–August 2, 2021) pass first under the drawn whole hide of a cow. On damp days, the skin droops; in the rain, it holds water; the sun bakes it solid. It also gathers more than moisture. Before being hung, the rawhide spent six months in the museum courtyard, cooking and flexing, adding marks to those accumulated during the cow’s life. The piece is a harbinger for the stained-glass courtyard door depicting New York City’s watershed; for the continuous rendering of an edgeless Atlantic Ocean;

New yorkUnited statesCity ofUnited kingdomSan franciscoRindon johnsonAtlantic oceanJack whittenTravis diehlJohn giornoEd clarkLarge numbersNew york cityChisenhale galleryNorth atlantic oceanNorth atlantic cold blob