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PE-Backed Peak Technologies Acquires Avalon Integration

Sole Source Capital Portfolio Company Peak Technologies Acquires Avalon Integration

Transaction Marks Fifth Add-On Acquisition for Peak Technologies Since Being Acquired by Sole Source CapitalDALLAS (BUSINESS WIRE) Sole Source Capital LLC, an industrial-focused private equity firm, today announced that its portfolio company, Peak Technologies, a leading full life-cycle system integrator and provi.

Heritage: Bands and venues in Hornchurch in the 1960s

Historian Andy Grant gets his dancing shoes on to delve into the world of live music in Hornchurch during the swinging 60s.

Optical Phusion Acquired by Sole Source Capital

GRAND RAPIDS, Mich., April 20, 2021 /PRNewswire/  Charter Capital Partners, a Grand Rapids, Michigan-based investment bank, today announced that its client, Optical Phusion, Inc. (OPI), an industry leader in self-service kiosks, enterprise mobility, and wireless technology solutions, has been acquired by Sole Source Capital LLC, an industrial-focused private equity firm. Sole Source simultaneously acquired Peak-Ryzex and merged the companies, both premier providers of automatic identification and data capture (AIDC) and factory automation solutions. Charter Capital Partners principals served as exclusive M&A advisor to OPI. Established in 2004, OPI is a founder-owned AIDC hardware equipment and software solutions company primarily serving the grocery and retail end markets. OPI specializes in helping customers manage the entire lifecycle of interactive kiosks, personal shopping solutions, RFID, mobility, and wireless technology projects. The company is headquartered in Littleton

The Quietus | Features | Tome On The Range | No Beats, No Bloomsburys: Jonathan Meades Talks Blair, Brutalism & Benny Hill

Owen Hatherley , April 17th, 2021 08:57 Owen Hatherley interviews Jonathan Meades about his new book Pedro and Ricky Come Again, a massive collection of his writing from 1988 to 2021 – and on why he’s no longer making television Photo by Pablosievert. CC BY-SA 4.0 The last time I saw Jonathan Meades was in May 2018, in Le Corbusier’s Unité d’Habitation in Marseille. In a flat surrounded with books, paintings, pictures, and postcards he’d made himself, and as we got through several bottles of rosé, he said he wasn’t fit enough to come up to the building’s famously sculptural roof terrace, with its running track, its kindergarten, and its view across the city, the mountains and the Mediterranean. Although he wasn’t able to leave his flat at the time, he was still planning another film in his informal series for the BBC on the architecture of 20th century dictatorships –

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