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Executive Turntable: Shawn Holiday & Irving Azoff Team Up

Theo Wargo/Getty Images for Billboard Shawn Holiday attends the Billboard 2018 R&B Hip-Hop Power Players event at Legacy Records on Sept. 27, 2018 in New York City. Columbia Records co-head of urban music,  Shawn Holiday, is launching a new label and publishing venture with Irving and Billboard can confirm. He will maintain an A&R capacity role with Columbia. The news was first reported by HITS Daily Double, which noted Holiday will continue to work with Polo G, Chloe x Halle and other artists signed to the label. Holiday also held a dual role at Sony/ATV, where he was named head of urban music in January 2019.

Covid crisis puts streaming under the spotlight

Covid crisis puts streaming under the spotlight Covid has robbed artists of revenues from playing live, but the crisis is also highlighting their scant returns from streaming Sir Paul McCartney made an unpalatable prediction for the music industry shortly before Christmas.  As ministers weighed tighter restrictions to wrest control of the pandemic, the Beatle due to headline this year s Glastonbury festival gave a bleak outlook for Europe s biggest live music event. 100,000 people closely packed together with flags and no masks – you know, talk about super-spreader. I’d love it to [happen], but I have a feeling it’s not going to.”

Hipgnosis boss: Music industry at risk from gluttonous record labels : CityAM

Hipgnosis boss: Music industry at risk from ‘gluttonous’ record labels Hipgnosis founder Merck Mercuriadis said there was not a fair and equitably split of music royalties (Getty Images for SXSW) The music industry is under threat from “gluttonous” record labels taking royalties away from artists and songwriters, the boss of music investment firm Hipgnosis has said. Merck Mercuriadis accused the major record companies of “trying to take everything for themselves”, warning that some artists were unable to survive off royalty income as a result. “The biggest threat to the music business right now is not financial, it’s that it is discouraging the great artists of the past, present and future from being a part of this business because of the gluttonous tactics of the record companies,” he told

UK Streaming Probe: Major Labels Scrutinized

The harsh reality about the music business, and a pantomime led by clueless self-regarders

The harsh reality about the music business, and a pantomime led by clueless self-regarders. January 19, 2021 John Nicolson MP chose not to explore user-centric licensing at the DCMS Committee, at David Joseph s invitation. Instead, he suggested major record company heads should feel ashamed Here it is. Amongst all the industry-wide debate over equitable streaming payouts, this has cracked it. Finally, a truly revolutionary idea that ensures an actual fair share of the billions of dollars Spotify makes goes to every artist. For starters, let’s stop arguing about what royalty share record companies should take from their individual contracts with artists. Let’s just cut those suckers out altogether. You read right: let’s kill the majors! Nighty night you million-dollars-an-hour machines!

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