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In his sensitive comedy-drama “Chungking Express” (1994), director Wong Kar-wai uses stunning visuals, layered dialogue, and a unique narrative structure to challenge the boundaries of time and the imagination. It is undeniable that Wong’s film is breathtaking; some may even argue that it borders on the creation of its own cinematic genre. However, despite its revolutionary vision, Wong s excessive abstraction often renders his film aimless and ungrounded. “Chungking Express” is structured around two consecutive stories which both follow post-breakup cops’ encounters with mysterious strangers. Though thought-provoking, this unique narrative structure often does more to obscure than to illuminate. The first story focuses on a cop named He Zhiwu (Takeshi Kaneshiro) who, devastated following a break-up, seeks new love and meets a mysterious woman in a blonde wig (Brigitte Lin) at a bar. The second story, which follows a cop referred to simply by his badge

United statesHong kongChung kingZhiwu takeshi kaneshiroBrigitte linTony chiuFaye wongFilm at lincoln centerWong kar waiTakeshi kaneshiroTony chiu wai leungஒன்றுபட்டது மாநிலங்களில்ஹாங் காங்சுங் கிங்ப்ரிஜிட் லின்டோனி சியு