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The material conditions of being an artist in New York have a direct impact on the aesthetics and considerations taken in the studio and within an artists practice. While the return of the influence of Arte Povera and the prominence of post-studio practices can both can be attributed to ideological and conceptual decisions or to new structures of feeling in Raymond Williamss terms, they can also be translated and defined through the prices of lumber, rising studio costs, and the commuting culture created through the gig economy.
Described by the artists as a form of “urban acupuncture,” Asia Society Texas is pleased to present 'Rafael Domenech and Tomas Vu: Heat Silhouette,' the organization’s first public art installation.