Oppenheimer – Nolan s 12th feature, and a soaring, senses-swamping masterpiece – feels startlingly personal, despite the consequence and scale of its subject
Christopher Nolan has never been one to take the easy or straightforward route while making a movie. He prefers practical effects over computer generated ones and real locations over soundstages.
Oppenheimer – Nolan s 12th feature, and a soaring, senses-swamping masterpiece – feels startlingly personal, despite the consequence and scale of its subject
Christopher Nolan has never been one to take the easy or straightforward route while making a movie. He shoots on large-format film with large, cumbersome cameras to get the best possible cinematic image. He prefers practical effects over computer-generated ones and real locations over soundstages even when that means recreating an atomic explosion in…