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The Sorcerer s Apprentice filmed at Southwark Playhouse

The Sorcerer’s Apprentice filmed at Southwark Playhouse | Review February 26, 2021 Last updated: March 14, 2021 This production of The Sorcerer’s Apprentice has nothing to do with the 2010 Walt Disney motion picture of the same name. It is a show that really needs to be experienced in person: the atmosphere that the staging and music create doesn’t, despite a sterling effort from the production team, come across on screen as well as it would in the theatre. But, at the end of the day, it is better (in the circumstances at the time of writing) to experience it this way than not at all.

The Sorcerer s Apprentice new musical to be streamed for online audiences

© Steve Ullathorne In the face of ongoing restrictions, new musical The Sorcerer s Apprentice will be streamed for online viewers via stream.theatre rather than presented live. Penned by Richard Hough with composition and orchestrations by Ben Morales Frost, the piece is a gender-switched twist on Johann Wolfgang von Goethe s classic poem of the same name (which later inspired the memorable scene from the film Fantasia). Destry Rides Again), Dawn Hope ( Follies), Mary Moore (a recent graduate making her professional stage debut), Marc Pickering ( Cat in the Hat), Yazdan Qafouri ( The Band) and David Thaxton ( Passion). Also appearing are Tom Bales, Ryan Pidgen, Vicki Lee Taylor and Kayleigh Thadani.

New The Sorcerer s Apprentice Musical Will Now Stream

Passion) with Tom Bales, Ryan Pidgen, Vicki Lee Taylor, and Kayleigh Thadani. Penned by composer and orchestrator Richard Hough and writer Ben Morales Frost, the new musical explores the world of a sorcerer and his rebellious daughter, as she discovers the possibilities of her newfound magical powers. Producer James Seabright commented, “The latest national lockdown leaves us with a show ready to perform which we are unable to share with live audiences. I have been inspired by the determination and resolve of our cast, creative team to make this possible whilst maintaining the highest safety standards for everyone on and off stage.”

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