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Opera world split as director reinventions dominate Europe

Opera world split as director reinventions dominate Europe
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A fine cast for Tobias Kratzer s close to classic Tannhäuser at Bayreuth – Seen and Heard International

A fine cast for Tobias Kratzer s close to classic Tannhäuser at Bayreuth – Seen and Heard International
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Opera world split as director reinventions dominate Europe while US, Italy more muted

Opera world split as director reinventions dominate Europe while US, Italy more muted
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Opera world split as director reinventions dominate Europe while US, Italy more muted | iNFOnews

Opera world split as director reinventions dominate Europe while US, Italy more muted | iNFOnews
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Opera world split as director reinventions dominate Europe while US, Italy more muted

The opera world is split in two: European regietheater productions reinvent works in ways composers never imagined, while traditional stagings favored in the U.S. and parts of Italy are condemned by some cognoscenti as passé. Martin Kušej’s vision of Mozart’s “Le Nozze di Figaro” at the Salzburg Festival includes cocaine-fueled fights, a predator priest, a nearly naked hooker and a basement garage rave. Damiano Michieletto transforms Verdi’s “Aida” at Munich’s Bavarian State Opera into an antiwar jeremiad in which Radamès collapses from PTSD during a Triumphal March of amputees and the High Priest Ramfis attempts to marry the King’s daughter Amneris.

United kingdomRainer sellmaierGluck orfeo ed eurydiceTobias kratzerVerdi macbethKrzysztof warlikowskiLady macduffAlan hraniteljRaimund orfeo voigtMalgorzata szczPeter gelbMozart le nozzeCecilia bartoliMartin kuChristof loyDamiano michieletto