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For Simon Hughes and his Union VFX team, Yorgos Langthimos’ dark comedy, a stunningly designed visual maelstrom, required something completely different from a typical VFX project, including odd, surgically created hybrid animals using as much actual footage as possible, integration of plates shot with 3 different film stocks, 11 enormous wrap-around LED screens, 50s style
It could be said a cinematographer's greatest attribute is flexibility. Loathe though I am attributing much credence to Twitter prompts, it's fairly often that people ask for the strangest cinematographer CV and engender amusement, sometimes outright shock at the range of a career. Robbie Ryan offers a great example: the man who shoots Andrea Arnold,