Minoan Language Linear A Linked to Linear B in Groundbreaking New Research
Palace of Knossos, Crete. Credit: Pat Scrap/Pixabay
The Minoan language known as “Linear A” may finally be deciphered with the help of the internet, which can be used to uncover previously-hidden links to the much-better understood Linear B language, which developed later in the prehistoric period.
The puzzle of Linear A has tormented linguists for many decades, as they attempted to link it somehow to Linear B, which was translated successfully for the first time in the 1950s. Linear B was used on the Greek mainland and Crete 50-150 years later than Linear A.
Minoan Language Linear A Linked to Linear B in Groundbreaking New Research
Palace of Knossos, Crete. Credit: Pat Scrap/Pixabay
The Minoan language known as “Linear A” may finally be deciphered with the help of the internet, which can be used to uncover previously-hidden links to the much-better understood Linear B language, which developed later in the prehistoric period.
The puzzle of Linear A has tormented linguists for many decades, as they attempted to link it somehow to Linear B, which was translated successfully for the first time in the 1950s. Linear B was used on the Greek mainland and Crete 50-150 years later than Linear A.
Abstract
This essay looks at the history of the novel, starting from the influential postwar critical insistence on the importance of the novel as a nineteenth-century genre. It notes that this tradition singularly fails to take account of the history of the novel in antiquity–for clear ideological reasons. It then explores the degree to which the texts known as the novel from antiquity, such as Longus’s
Daphnis and Chloe, Petronius’s
Satyricon, or Heliodorus’s
Aethiopica, constitute a genre. Although there is a great deal of porousness between different forms of prose in antiquity, the essay concludes by exploring why the ancient novel, ignored by critics for so long, has now become such a hot topic. It argues that much as the postwar critics could not fit the ancient novel into their histories, now the ancient novel’s interests in sophisticated erotics, narrative flair, and cultural hybridity seem all too timely.