conversations that you don t have every day. still, there was work to be done it was not a new house. it could use some remodeling. particularly the bathroom. courtney was still living with her parents as the work began. they re going to be doing the tile work and stuff. so we wouldn t have a shower for that day so, shower out of commission, they decided to wake up early, put on their bathing suits and rinse off in the outdoor spa before the contractor arrived at 6:45 a.m. it was june 7th, 2007. chris got up first, turned on the spa to warm it up, then called brianna at her college dorm in san diego. here s your wake-up call, babe. get out and go on that run. back at the house, courtney dozed through her first wake-up. while chris and cristi made their way outside to the spa. just after 6:30, chris looked in on courtney second call. then headed back to the spa. life s last normal 6:37 a.m. i got up out of bed. i was
monuments of isfahan presented a problem because photography is in black and white, and their patterns are based on colour. so it was the idea to get paintings made of the tile work in isfahan. this exhibition has given us the opportunity to show some of these larger paintings for the first time in a very long time where you have three of the samples of the interior domes of isfahan have been raised on huge mounts. they are only triangular shapes, because the design was repeated around the dome. and so, in order to communicate it, you just needed one thin slice of it which lets you see the relationship between these thin triangles
but of course, the tile work monuments of isfahan presented a problem because photography is in black and white, and their patterns are based on colour. so it was the idea to get paintings made of the tile work in isfahan. this exhibition has given us the opportunity to show some of these larger paintings for the first time in a very long time where you have three of the samples of the interior domes of isfahan have been raised on huge mounts. they are only triangular shapes, because the design was repeated around the dome.
which was the language used by the sasanians. the rulers of islamic iran, from the 14th century onwards, became very interested in the shahnameh. it almost became a necessary part of the equipment of a future ruler, to be given a shahnameh, which provided as a model for the kings of the present based on what had happened in the past. and of course, at the same time, it preserved of the ideas of iran as a country with an enormously long history. in the 19th century, the v&a began to collect evidence for world architecture through photography. but of course, the tile work monuments of isfahan presented a problem because photography is in black and white, and their patterns are based on colour. so it was the idea to get paintings made of the tile work in isfahan. this exhibition has given us the opportunity to show some of these larger paintings for the first time
and of course, at the same time, it preserved of the ideas of iran as a country with an enormously long history. in the 19th century, the v&a began to collect evidence for world architecture through photography. but of course, the tile work monuments of isfahan presented a problem because photography is in black and white, and their patterns are based on colour. so it was the idea to get paintings made of the tile work in isfahan. this exhibition has given us the opportunity to show some of these larger paintings for the first time in a very long time where you have three of the samples of the interior domes of isfahan have been raised on huge mounts. they are only triangular shapes, because the design