“The irrational cannot be ignored.” So said the American poet Wallace Stevens. Humanists have successfully used the charge of “irrationality” in fighting religious beliefs since the eighteenth century, but Stevens, himself a lifelong nonbeliever, preferred to describe believers as “out of touch .
Other dimensions, other timescales, other forms of life not only as works, but as a basic condition for being able to perceive artworks in the first place.
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