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Earwig and the Witch review: Studio Ghibli tries 3DCG

Eager to learn how to concoct magic potions and spells, the scoundrel in “Earwig and the Witch” must win over her monstrous adoptive parents. Studio Ghibli’s generally subpar first foray into 3DCG feature animation is an adaptation of Diana Wynne Jones’ British children’s book directed by the cofounder’s son Gorô Miyazaki (“From Up on Poppy Hill”). Contained in scope and slim in dramatic depth, the movie (originally made for Japanese television) hinges on a mischievous girl with horn-like ponytails, Earwig, a.k.a. Ericka (Taylor Henderson). Despite her efforts to remain at the orphanage where she’s been since infancy, she is taken in as “an extra pair of hands” by Bella Yaga (Vanessa Marshall), a grumpy witch, and the Mandrake (Richard E. Grant), a humanoid creature and prolific writer.

In Earwig and the Witch Trailer, an Orphan Discovers That Magic Runs in the Family

In Earwig and the Witch Trailer, an Orphan Discovers That Magic Runs in the Family Share To sign up for our daily newsletter covering the latest news, features and reviews, head HERE. For a running feed of all our stories, follow us on Twitter HERE. Or you can bookmark the Kotaku Australia homepage to visit whenever you need a news fix. Studio Ghibli is getting back into the magic game, and it’s going to rock. In the new English-language trailer for Earwig and the Witch, the studio’s first 3D-animated film, a young orphan is taken in by a witch and learns there’s something magical about her past just waiting to be discovered.

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