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Killers of the Flower Moon is desolate, paradigmatic American settler fable

Of his latest ventures, though, it is “Killers of the Flower Moon” that best captures the interstices between silence and splendor, complicity and culpability. It’s as much a grand meditative set piece on the terrors of the American settler project as it is a self-reflexive castigation of one’s own filmography, of the inadequacy and immateriality of narratives themselves.

From Goodfellas to Killers of the Flower Moon: How Martin Scorsese has rethought violence

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