could be viewed maybe with suspicion by some in niger, it depends on who you re talking to. what by some in niger, it depends on who you re talking to. you re talking to. what did the us secretary of you re talking to. what did the us secretary of state you re talking to. what did the us secretary of state say you re talking to. what did the us secretary of state say about - you re talking to. what did the us secretary of state say about the l secretary of state say about the collapse of the ukraine green deal? no he was categorical, there is a black sea green deal to begin with because of the russia ukraine war, he heap the blame on russia. he raised he heap the blame on russia. he: raised concerns with the decision of russia to halt the deal stating it is the biggest threat to food insecurity at the moment with an estimated 250 million people around the globe cover under any food insecure status as we speak. he also sought to the us against claims by russia, assertions by a ra
Top Of The Heap is an ACAB text for the ages
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ffers movie recommendations inspired by new releases, premieres, current events, or occasionally just our own inscrutable whims. This week: To kick off Black History Month, we’re looking back on genre films by unsung or underappreciated Black filmmakers.
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We first see
Top Of The Heap’s
beat cop protagonist George Lattimer as he surveys a muddy brawl between construction workers and hippies. “Bullshit!” he snarls before the frame freezes on a low-angle shot of him in riot gear. A title card appears: “Produced, Written, Directed by and Starring Christopher St. John.” Almost immediately following this introduction, Lattimer is thrown to the ground and hit in the face with a piss balloon. It neatly encapsulates Lattimer’s damned-if-you-do, damned-if-you-don’t internal conflict. Like Rodney Dangerfield, he receives no respect from anyone: his family criticizes him for being absent, his superiors