Bringing out exhibition our electric light has changed. The current weather patterns around the world are showing us quite clearly that we are not looking after all planets and recent pictures coming out of venice some naturally disturbing not just for the local population that but for those around the world and indeed anyone who has visited this extraordinary city in northern italy the crypt in st marks basilica unesco World Heritage site is on the wall and this is the 6th time this has happened in 1200 years but 4 of those times ive been in the last 2 decades. The Climate Crisis is threatening our Cultural Heritage but is the arts world also affecting the climate after all work flown around the globe for us all to see the culture trying to bring the subject of Climate Change to our attention sometimes guilty of creating quite
a Carbon Footprint of. The Contemporary Art World is glamorous chic and extravagant and that carries an enormous Carbon Footprint. As people think theyre the pi
An intriguing Art Exhibition looks at how electric light has changed. Current weather patterns around the world are showing us quite clearly that we are not looking after all planets and recent pictures coming out of venice some naturally disturbing not just for the local population that but for those around the world and indeed anyone who has visited this extraordinary city in northern italy the crypt in st marks basilica unesco World Heritage site is on the wall stuff and this is the 6th time this is happened in 1200 years but 4 of those times have been in the last 2 decades. The Climate Crisis is threatening our Cultural Heritage but is the arts world also affecting the climate after all work flown around the globe for us all to see the culture see trying to bring the subject of Climate Change to our attention is sometimes guilty of
creating quite a Carbon Footprint of. The Contemporary Art World is glamorous chic and extravagant and that carries an enormous Carbon Footprint. As peo
as artworks are not meant to last. it s not every artist who denies the art market her works. it s not so much about ownership and this is mine let me hang it on my wall instead it s about changing our ideas and our behavior not just for artists but for institutions that show their work many are trying to create exhibitions that are less damaging to the environment. it s a question for sending exhibitions to large crowds means changing around the space and buying materials and there s no easy way out of that dilemma even while we re putting a show together there are still many ways to figure out with the artist if we couldn t use materials that are better smarter that can be reused oversized. and
we perhaps don t have enough darkness. the night has many faces dream figures that haunt our sleep. night owls at work and it playing. in the dark has held a fascination for many artists around 100 works related to the theme are on display at the mount a health club museum for art. it is also good if the exhibition is really about how light especially electric light has changed to the night back in the 19th century many cities had a curfew at nightfall people withdrew into their private sphere then along came gaslighting and then electric lighting and that changed city life quite radically stock the stock and you can leave. and as soon as there were street lamps to light up the darkness night work became more prevalent and gary in french photographer press i.e. documented this in 1930 s.
just transporting the ice resulted in $35.00 tons of c o 2 emissions which the artist documents of himself. can climate conscious art be made more climate friendly in frankfurt the exhibition trees of life stories for a damaged planet looks at some new ideas. artist at one of us has created a work that uses almost no resources he founded an organization that buys the land and turns it over to mother nature the idea is to help regenerate insect populations which some studies show have dropped by 80 percent over the last decades anyone can donate and participate. mention hits a woman to creating nonhuman zones is a radical demand or utopian to me because the idea of taking a piece of land away from humans and human productivity is not especially popular is it was was finished this on the for. this project digs even deeper turning the