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Ethel Pozo no descarta ser parte de El Artista del Año con Gisela Valcárcel
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Gisela Valcárcel regresa con El Artista del Año este 24 de abril
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(Exclusivas de la prensa de papel 17/03/2021) Escrivá ani
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Keep an Eye Out Review: Quentin Dupieux s Police Procedural Is More Tame Than Transgressive
The Rubber director s first fully French production doesn t exactly find him at home.
Michael Nordine, provided by
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Director: Quentin Dupieux
With: Benoît Poelvoorde, Grégoire Ludig, Marc Fraize, Anaïs Demoustier, Orelsan, Philippe Duquesne, Jacky Lambert, Jeanne Rosa, Vincent Grass, Nahel Ange, July Messéan, Johnny Malle, Laurent Nicolas, Michel Hazanavicius, Pedro Winter.
In the pantheon of love-them-or-hate-them auteurs, Quentin Dupieux resides somewhere in the middle neither as provocative as a Gaspar Noé nor as clever in his absurdity as a Yorgos Lanthimos. His latest, “Keep an Eye Out,” isn’t actually his latest: Distributed abroad three years ago, its stateside release follows those of 2019’s “Deerskin” and last year’s “Mandibles.” Devotees of the French filmmaker (who also goes by Mr. Oizo) may find “Keep an Eye Out” worth the
Theatrical Viewing Adds Tangible Benefits to Awards Hopefuls
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Hollywood has always adapted to world changes, and Oscar campaigning this year has effectively adjusted to COVID. But one part of the awards season is missed more than the others: seeing a contender on the big screen.
Studios have delayed several big-scale films, including “Dune” and “West Side Story,” until later in 2021. So “small” movies are dominating the season, but even they are feeling the effects.
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The sound design of “Minari” and “Sound of Metal,” the cinematography of “Nomadland” and “The Trial of the Chicago 7,” the production design of “One Night in Miami” and “The Father,” to name just a few, are admirable on the small-screen, but the nuances would be even more effective in a theater.