it does invent vice. there is a i focus throughout the year. and it aives focus throughout the year. and it gives validity focus throughout the year. and it gives validity to focus throughout the year. and it gives validity to the focus throughout the year. and it gives validity to the art gives validity to the art form, people do care about it, what i worry about, around this is not necessarily anything to do with the awards is putting artists under great pressure to deliver a show when they are not ready and compete against each other in a way that might not be helpful. i was lucky and this is the beauty of the fringe, i have been coming since i was 18, i wasn t wear of the awards until later and i spent my time developing so when i did a one woman production of swan lake in french which is financially unviable, but that was the show that got acclaim, that was the show that got acclaim, thatis that was the show that got acclaim, that is because i took a creative risk and it w
good workplace management and absolutely the case that you should be sensitive to the needs and requirements for the people and that s notjust a millennial thing, that s notjust a millennial thing, thatis that s notjust a millennial thing, that is a generation is sensitive to this but something that is just good practice to understand how other people are reacting to your behaviours. that is just good practice in the workplace. behaviours. that isjust good practice in the workplace. talking about this tonight, practice in the workplace. talking about this tonight, but practice in the workplace. talking about this tonight, but not i practice in the workplace. talking about this tonight, but not many| about this tonight, but not many want to come on and discuss it. those who what commentary there is tomorrow in the morning papers. across the uk, this is bbc news. let s look at some of the other stories making headlines today. the united nations has warned that saving the world s glac
relatively unimportant for the economy at this point.- economy at this point. let s ust aet economy at this point. let s just get a economy at this point. let s just get a final economy at this point. let s just get a final reaction - economy at this point. let s| just get a final reaction from one of our students of what has been discussed. david sturman, a physics student at stockholm university. what do you want to ask the laureate? if university. what do you want to ask the laureate? ask the laureate? if you think back about ask the laureate? if you think back about the ask the laureate? if you think back about the specific - ask the laureate? if you think back about the specific work | back about the specific work for which you receive the prize, do you think now different about your work then you may have done something differently? very difficult one. what s your reaction? very difficult one. what s your reaction? no. very difficult one. what s your reaction? no.
on how much borrowing its got in store and charging more to lend the uk government, that we do have to start teasing out the invocations of that. so yields, its interest rates, that. so yields, its interest rates, thatis that. so yields, its interest rates, that is borrowing costs notjust the government but also for the rest of us. . government but also for the rest of us. ~ . , , , ., government but also for the rest of us. . government but also for the rest of us. and paul, i guess your “ob along with the money us. and paul, i guess your “ob along with the money box h us. and paul, i guess your “ob along with the money box team us. and paul, i guess yourjob along with the money box team is - us. and paul, i guess yourjob along with the money box team is trying l us. and paul, i guess yourjob along | with the money box team is trying to connect these macro issues, the price of the value of the pound, the cost of borrowing from the government, with experience of individuals