“No wire hangers!”
That’s what comes to mind when most people think of Joan Crawford, more so than the professionalism and remarkable performances that mark her four decades long career.
Shortly after her death in 1977, Crawford’s adopted daughter Christina published “Mommie Dearest,” a memoir detailing her mother’s alleged abusive nature, alcoholism and neuroses. Katharine Hepburn, Myrna Loy, her first husband Douglas Fairbanks Jr., her two youngest daughters and others close to her denounced the book. But with Frank Perry’s 1981 film adaptation, featuring Faye Dunaway’s shrieking, hollow, larger-than-life performance, the damage was done. In just 129 minutes the film unravels what Crawford had been building for herself since first gracing the screen in the late 1920s. It turned the image of Crawford in the cultural imagination into a monstress, a soulless camp icon to be mocked and reviled but rarely respected, and a cautionary tale of what happens when women
Corey Crawford quitte les Devils
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Corey Crawford doit s absenter pour des raisons personnelles
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Leo Crawford podría encontrar en Milwaukee la oportunidad deseada
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