Michael C. Hall s Princess Goes To The Butterfly Museum Post New Single Armageddon Suite Wednesday, 20 January 2021
Princess Goes To The Butterfly Museum have shared a new single.
Armageddon Suite is the third preview of Michael C. Hall s experimental new wave band s upcoming debut album, Thanks For Coming , due out on March 26.
It s a slight departure from the group s previously released cuts from the record a rework of Phantogram s Cruel World and Eat An Eraser offering a more serene tone through synthesizers and percussion. Armageddon Suite is about having a more heightened romantic sense facilitated by the world ending, Hall said. It comes paired with an eerie video that presents a mysterious narrative, viewable below.
Michael C. Hall and His Bandmates Discuss His New Princess Goes to the Butterfly Museum Album
By Tom Lanham | January 13, 2021 | 10:45am
Photo by Paul Storey
Six Feet Under and the friendly neighborhood serial-killer saga
Dexter plus live-theater stints in
Cabaret,
Hedwig and The Angry Inch, and David Bowie’s
Lazarus the North Carolina-born thespian has learned that every picture does, indeed, tell a story, so he put a great deal of thought and effort into finding the perfect photograph to adorn the cover of
Thanks For Coming, the debut album from his new alt-rock outfit, Princess Goes to the Butterfly Museum. Reflecting the sonically lush, lyrically bleak songs inside such as “Bombed Out Sites,” “Eat an Eraser,” a grim cover of Phantogram’s “Cruel World” and symphonic new single “Armageddon Suite” the meticulously-selected shot features a windswept entrance to a once-bustling shopping center, now dark, ominous and foreboding. At first glance
Co-founder of the Traverse Theatre and champion of the counter-culture
Jim Haynes, one of the founding fathers of the Edinburgh Fringe, has died in Paris at the age of 87.
The impresario was a pioneer of the permissive 1960s, champion of the avant-garde, and co-founder of Edinburgh’s Traverse Theatre.
The Louisiana native came to Scotland with the US air force and decided to stay, founding a paperback bookshop in Edinburgh which became a bohemian hangout.
It hosted Fringe performances in the early 1960s, and in his autobiography, Thanks For Coming, Haynes wrote: ‘The bookshop also became the first real centre for the fast-growing Edinburgh Fringe - before that the fringe festival had no real centre.
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