Japanese independent filmmaker Koji Fukada tells us what sign language brings to his new domestic drama Love Life, and why there’s something missing in films that feature characters communicating in only one way.
Falling in the tradition of Japanese grief dramas, director Koji Fukada's latest is redeemed by moments of inchoate pain, worthier than the rest of it.
“Love Life” can be interpreted both as a command and a noun. Artfully, Koji Fukada, the director and writer of this sensitive film, poses many questions and…
The Japanese writer-director Koji Fukada made his international mark with “Harmonium” (2017). Like that film, “Love Life,” his latest feature, concerns a…