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The 1970s decade is often characterised as having been one of a musical wilderness, a barren land of popular music set against a background, in Britain at any rate, of urban decay and labour strife. The music, it has been suggested, reflected an uncharming decade, and as with any generalisation there is an element of truth but also a huge chunk of untruth. For every Bay City Rollers or Lieutenant Pigeon, there were the innovators - David Bowie, Marvin Gaye, Stevie Wonder, to name but three. While punk, some of it anyway, came to define a ‘70s bleakness, there was still an abundance of creativity, joyousness, melody, harmony and the breaking of new ground rather than a retro two-fingers-up that was the marketing craft of Malcolm McLaren. Just as Marvin Gaye and Stevie Wonder broke free from the shackles with which Berry Gordy had bound them and combined issues such as the environment, inequality, race and spirituality with stunning musical invention, so the world of jazz realised

United kingdomJust asUnited statesStevie wonderTete montoliuMarvin gayeBerry gordyDavid bowieBob dylanJoe zawinulMalcolm mclarenHerbie hancockJoe zawinfulSteve kujalaChick coreaMiles davis