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David Hajdu

David Hajdu is the music critic of The Nation. Hadju is a professor at the Columbia University Graduate School of Journalism and has written on the arts for numerous publications, including The New York Times Magazine, The Atlantic Monthly, The New Yorker, The New York Review of Books, The New Republic, Rolling Stone, and Vanity Fair. As an editor and magazine writer, Hajdu has been a finalist for the National Magazine Award several times, and his articles and essays have been selected for a number of anthologies, including Best Music Writing, Best American Magazine Writing, The New York Times Arts & Culture Reader, and Best American Comics Writing. Hadju is the award-winning author of four books: Lush Life: A Biography of Billy Strayhorn; Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña; The Ten-Cent Plague: The Great Comic Book Scare and How It Changed America; and Heroes and Villains: Essays on Music, Movies, C

Panel Mania: A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge

Panel Mania: A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge
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True Believer Author Interview: Abraham Riesman on Stan Lee – /Film

The legacy of Marvel Comics maestro Stan Lee has been muddy for decades. Even as the supposed mastermind behind the early days of Spider-Man, Thor, and the Fantastic Four evolved into a beloved international icon with cameos in every Marvel film, controversy nipped at his heels. At the heart of it all: the constant rumblings that he didn’t actually co-create his most famous characters, and that he went out of his way to bury the talented artists who worked alongside him. The new biography True Believer: The Rise and Fall of Stan Lee explores Lee’s life in detail, unraveling mysteries, asking troubling questions, and coming to grips with the the fact that this icon’s life was full of contradictions, half-truths, and shifting narratives. Author

EC Comics and the Pulp Takeover of American Culture | Mark Judge

In the introduction to the massive, gorgeously illustrated recent book The History of EC Comics, author Grant Geissman asks, “Why should there be a gigantic, weighty tome in celebration of these comics?” His answer: “Put simply, because this lesser-known company had an enormous impact on American pop culture, managing to be both commercially successful as well as boldly innovative. At its creative peak in the 1950s . . . EC reads like a ‘who’s who’ of mid-20th Century comic books.” Founded by legendary comic book pioneer M. C. Gaines, then inherited by his son William Gaines in 1947, EC Comics (Entertaining Comics), thrilled kids in the 1950s with lurid art, gory stories, sexy women, and space adventures. With titles such as

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