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Sofia Djama s A Quarter To Thursday In Algiers scoops an advance on receipts

Sofia Djama s A Quarter To Thursday In Algiers scoops an advance on receipts

Sofia Djama s A Quarter To Thursday In Algiers scoops an advance on receipts
cineuropa.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cineuropa.org Daily Mail and Mail on Sunday newspapers.

Bande de filles, Divine, Peau d âne Netflix met en avant plus de 200 films français

Bande de filles, Divine, Peau d âne Netflix met en avant plus de 200 films français
frandroid.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from frandroid.com Daily Mail and Mail on Sunday newspapers.

Netflix : 3 films sympas et accrocheurs à voir ou revoir ce week-end

Netflix : 3 films sympas et accrocheurs à voir ou revoir ce week-end
cnetfrance.fr - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cnetfrance.fr Daily Mail and Mail on Sunday newspapers.

Jean-Christophe Reymond • Producer, Kazak Productions

Jean-Christophe Reymond • Producer, Kazak Productions The only way forward is to be original Titane - his projects and the current state of the market (© Carole Bethuel) Jean-Christophe Reymond is currently overseeing work (in league with his associate Amaury Ovise) on Titane, not to mention films coming courtesy of Clément Cogitore, Cineuropa: How did you become a producer? Jean-Christophe Reymond: It was when I was 20 years old that I first realised it was an option to work within this sector, rubbing shoulders with filmmakers and helping to create their works. I thought it would be an amazing job to do. I was at business school at the time and I applied to La Fémis, to learn about production. Until then, I’d merely been a viewer of films, mostly on TV at that, and my expertise was mostly limited to Spielberg and independent 90s films: Abel Ferrara, Claire Denis and Larry Clake rather than Truffaut, Dreyer or Bergman. I learned a lot about product

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