Mirror image: Joanna Hogg’s latest featuring Tilda Swinton in a mesmerizing double role reimagines British gothic horror with specters both familiar and familial
Like Céline Sciamma’s modern classic Petite maman, Joanna Hogg’s new film The Eternal Daughter plays intriguingly with family likenesses and the maternal bond, says Sahir Avik D’souza, one of the critics on this year’s LFF Critics Mentorship Programme.