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Exterminate All the Brutes. Velvet Film/David Koskas/HBO “A certain view of history contends that the historical narrative is just one fiction among others,” Raoul Peck’s deep, gravelly voice asserts near the beginning of Exterminate All the Brutes. But this view is wrong, he says. Some narratives are rooted in fact; others were made up to satisfy the powerful. “There is,” Peck declares, “no such thing as alternative facts.” The four-part documentary series, now streaming on HBO Max, is not just Peck’s attempt to set the record straight, to pry apart fact and fiction. It’s a multilayered, serpentine, superlative recasting of history, in which Peck argues that many things we are taught as truth are actually the winners’ preferred version of the facts. His aim, he says, is to “deconstruct the official narrative.” That project, of course, has been ongoing for a long while, and several influences are discussed in the series, including Howard Zinn (

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