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Myanmar nationals in Australia face passport limbo as calls for sanctions against military junta grow - 25-Aug-2022

Myanmar nationals in Australia face passport limbo as calls for sanctions against military junta grow - 25-Aug-2022
nzcity.co.nz - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from nzcity.co.nz Daily Mail and Mail on Sunday newspapers.

Myanmar Campaign Network in Australia calls for targeted sanctions on Myanmar junta

RECENZE: Barevná roadmovie Láska a příšery aneb Zombieland pro náctileté

RECENZE: Barevná roadmovie Láska a příšery aneb Zombieland pro náctileté
eurozpravy.cz - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from eurozpravy.cz Daily Mail and Mail on Sunday newspapers.

The Bureau of Magical Things: trailer

The Bureau of Magical Things: trailer
tvtonight.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tvtonight.com.au Daily Mail and Mail on Sunday newspapers.

Jonathan M Shiff: Possibly, The Bureau of Magical Things S2 might be my best work

Production recently wrapped on season two of The Bureau of Magical Things in Queensland. Prolific children’s producer Jonathan M. Shiff told WorldScreen about navigating through COVID-19 restrictions. “We had to, first, revisit all the stories that I’d spent a year and a bit writing and falling in love with. That sort of dynamic is part of normal filmmaking,” he said. “Being a creator and being a producer sometimes is in conflict. You’ve got to find the synergy and the pathway, and I found I had to approach it the same way. We need to move this forward and do the best story we can do. We had to rewrite scenes, move interiors to exteriors to be safer, strip out cast that were not critical to the scene to be sensible about it. We had to reduce the number of extras. We had to reimagine sets. It’s very counterintuitive to everything I learned in 30 years of filmmaking. We had to take the ceiling off sets. Sets that were designed to be small and intimate had to be opened

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