D Harding’s current exhibition at Norway’s Bergen Kunsthall, “We breathe together,” is awash in color. To be more precise, the artist has extracted powdered pigments yellow or pale rust ochers from paper or felted wool, mixed these with water and gum arabic, and brushed, stamped, and stenciled them across the white walls and coolly lit, gridded ceiling of the kunsthall’s galleries. At first glance, many of this magazine’s readers will feel a familiarity with Harding’s sculptures, paintings, and installations, fluent as the artist is in the formal and conceptual languages of twentieth-century