SINGAPORE, Oct. 28, 2022 /PRNewswire/ The seventh edition of Singapore Biennale 2022 (SB2022) named Natasha has officially opened to the public. Organised by the Singapore Art Museum (SAM) and commissioned by the National Arts Council, Singapore (NAC), audiences can embark on a journey with Natasha and its artists and collaborators, and re-discover different perspectives of viewing and relating to the world. Exhibition view of Level 5 Gallery, Tanjong Pagar Distripark. Image courtesy of Singapore Art Museum. Installation view of Haegue Yang's The Hybrid Intermediates - Flourishing Electrophorus Duo (The Sonic Intermediate - Hairy Carbonous Dweller and The Randing Intermediate - Furless Uncolored Dweller) (2022) at Singapore Art Museum at Tanjong Pagar Distripark. Image courtesy of Singapore Art Museum. Installation view of Cevdet Erek's Bergama Stereo (2022) in Tanjong Pagar Distripark. Image courtesy of Singapore Art Museum. Spanning various spaces on Levels 1, 3 and 5 of T
A pair of shaggy, vaguely technological totems, bedecked in artificial straw and tiny bells, stand in one room of Singapore Art Museum, which accommodates much of this year’s Singapore Biennale, aka SB2022, aka “Natasha.”
Singapore Biennale (SB2022) recently returned for its seventh edition with the name Natasha. The art festival takes place from now to March 19 at 13 locations, such as The Singapore Art Museum at Tanjong Pagar Distripark, Yan Kit Playfield, Singapore Flyer and St. John's and Lazarus Islands.