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While the source material is subpar, director Bekah Harbison uses simple staging with minimal set pieces to focus the audience on the relationships between the characters. Through her collaboration with her actors, she extracts committed and emotional performances out of each member of the cast. Her blocking, coupled with Mary Fedak’s choreography, uses every inch of the floor (stage) in the theater adding to the intimacy of her vision. There are moments when the entire company fills the full performance space, and it almost seems uncomfortably cramped. There may have been an opportunity to edit and think through the limitations of the space and the number of chorus members used in some of the larger numbers.
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