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More traditional Navajo teachings, common sense is needed today

A Gift from Talking God Film Screening and Q&A with Master Weaver Roy Kady

A Gift from Talking God Film Screening and Q&A with Master Weaver Roy Kady
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Hramul Catedralei Episcopale „Sfânta Treime din Baia Mare

Hramul Catedralei Episcopale „Sfânta Treime din Baia Mare
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Navajo Night Chant – Part 2 by Sara Wright

The original Night Chant involved four teams who danced twelve times each with half-hour intervals in between-a total of ten hours. The dance movements involve two lines facing each other. Each of the six male dancers takes his female partner, dances with her to the end of the line, drops her there, and moves back to his own side. The chant itself is performed without variation and has a hypnotic effect on the listeners. The only relief is provided by the rainmaker-clown named Tonenili, who sprinkles water around and engages in other playful antics. The medicine men who supervise the Night Chant insist that everything-each dot and line in every sand painting, each verse in every song, each feather on each mask-be arranged in exactly the same way each time the curing ceremony is performed or it will not bring about the desired result. There are probably as many active Night Chant medicine men today as at any time in Navajo history, due to the general increase in the Navajo population

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