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Curated by art historian Midori Yoshimoto and Japan Societys Tiffany Lambert and Ayaka Iida, the exhibition surveys the transnational Fluxus network (196278) through the lenses of geography and gender, focusing on four membersShiomi, Kubota, Yoko Ono, and Takako Saitowhose prolific output of performances, scores, and anti-art objects is enriched when considered in conjunction with their experiences as Japanese women in New York in the 1960s.
Commissioned as the soundtrack to a line of prefab homes, this 1986 ambient masterpiece doubles as a frame for the smallest, most quotidian sounds. It’s a testament to the act of listening itself.