sure tayaylor swift t will be sg fofor copyrighght infringegem. peteter andersonon: we ve got two exextremes, whwhere it s identicacal copying g of this exact nunumber of rerepetitio, anand we ve gogot the plaiaints work whehere there s s no repetitition at allll. but i i think no r repetitiont all l means it s s not protete. i think k there s anan argumet with thihis number of repetitit, it i is protecteted. intervrviewer 2: t thank you. peter ananderson: ththank you,u, your hononor. maririna v. bogogorad: i thik thatat was also o a point tht inflfluenced thehe ninth cicircuit sayiying, yeyes, this cacase should d pr. [m[music playiying] julilian wright:t: the thing that s stood out t to me was me than jusust the wordrds. there e were quitete a few structuralal things ththat i w within thehe compositition thatat s in bothth songs. they re e both used d as the ho. a hohook is ththat s the c c. that s thehe part of t the sog that eveverybody rememembers. lilisa respersrs france: i n th
and used i it in theirir own chororus, i m sure tayaylor swift t will be sg fofor copyrighght infringegem. peteter andersonon: we ve got two exextremes, whwhere it s identicacal copying g of this exact nunumber of rerepetitio, anand we ve gogot the plaiaints work whehere there s s no repetitition at allll. but i i think no r repetitiont all l means it s s not protete. i think k there s anan argumet with thihis number o of repetit, it i is protecteted. intervrviewer 2: t thank you. peter ananderson: ththank you,u, your hononor. maririna v. bogogorad: i thik thatat was also o a point tht inflfluenced thehe ninth cicircuit sayiying, yeyes, this cacase should d pr. [m[music playiying] julilian wright:t: the thing that s stood out t to me was me than jusust the wordrds. there e were quitete a few structuralal things ththat i w within thehe compositition thatat s in bothth songs. they re e both used d as the ho. a hohook is ththat s the c c. that s thehe part of t the sog that eveverybody r