Real Art Ways is holding a night of Surrealist Games on Valentine's Day. The event is hosted by the celebrated musician and Surrealist art enthusiast Roger C. Miller.
but it does come up with surprising results. i just love the way that some of the thought processes were working. you didn t understand what on earth it was coming up with sometimes it became obsessed with the dogs for several days, but when it was fed in some information, some keyboards, some imagery of keyboards, nick plays keyboards, it came back with a zebra. now, that s my kind of surrealist game. black and white. yeah, of course, stripes, it makes perfect sense. i think for a bass guitar it came back with a fish, but actually if you think about it, i suppose, it had been through its dictionary, sea bass. and then there were the band s faces, created by broken down data on their images being totally rebuilt by huxley. it made the images of us, we did it with our iphones, just literally lip syncing so that it could see and learn the dimensions of our faces and what all the measurements were as ourjaws moved. and it took that in,
fed in some information, some keyboards, some imagery of keyboards, some imagery of keyboards, it came back with a zebra. that is my kind of surrealist game. of course, stripes, it makes perfect sense. fora stripes, it makes perfect sense. for a bass guitar it came back with a fish, but actually if you think about it, i suppose, it had been through its dictionary, seabass. ihmd its dictionary, seabass. and then there its dictionary, seabass. and then there were its dictionary, seabass. and then there were the - its dictionary, seabass. and then there were the band s faces, created by broken down data on their images being totally rebuilt by huxley. it made the images of us, we did it without iphones, just literally lip syncing so that could see and learn the dimensions of ourfaces could see and learn the dimensions of our faces and what all the measurements were as ourjaws moved, and it looked at him, and made its versions of us. versions of us. but a music video also versions o
imagery of keyboards, nick plays keyboards, it came back with a zebra. now, that s my kind of surrealist game. black and white. yeah, of course, stripes, it makes perfect sense. i think for a bass guitar it came back with a fish, but actually if you think about it, i suppose, it had been through its dictionary, sea bass. and then there were the band s faces, created by broken down data on their images being totally rebuilt by huxley. it made the images of us, we did it with our iphones, just literally lip syncing so that it could see and learn the dimensions of our faces and what all the measurements were as ourjaws moved. and it took that in, and made its versions of us. but a music video also needs to tell the story with feeling. it is notjust here is a sentence, generate me an image .
it doesn t answer back as much, for sure, and it doesn t ask very difficult questions. but it does come up with surprising results. i just love the way that some of the thought processes were working. you didn t understand what on earth it was coming up with sometimes it became obsessed with dogs for several days, but when it was fed in some information, some keyboards, some imagery of keyboards, nick plays keyboards, it came back with a zebra. now, that s my kind of surrealist game. black and white. yeah, of course, stripes it makes perfect sense. i think for a bass guitar, it came back with a fish, but actually if you think about it, i suppose, you know, it had been through its dictionary, sea bass. it certainly captured the emotion of the song, but don t you miss being in the actual music video yourself? uh. no, i quite like robotic me. i could send robotic me to do a lot of things, i can tell you.