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which is electronic dance music, kind of meet and merge in a particularly compelling way. starships were meant to fly [stephen] the collapse of genre is the big story of the 2010s. and so the signature songs of the modern era are just kind of a mélange of different influences and styles. shine a light through an open door [emily] we found love, rihanna and calvin harris, is such a good, euphoric track with an amazing, emotional focal hook on it. we found love in a hopeless place [emily] that combo really helped djs and that style of song take off. the sounds that have been climbing up the charts, the sounds of electronic dance music, came to popularity thanks to artists like david guetta, as well as diplo and skrillex. [music] [nate] and you had dubstep, which was a subgenre of edm, with this just annihilating bass texture.
i would call them kind of pseudo-rock. twenty one pilots. maroon 5. i ve got the moves like jagger [stephen] who were dressing up like rockers, but they were making tracks that sounded much closer to the production of pop. [music] country, for all intents and purposes, was a lot of people s rock in the decade. i mean, picture a guy like eric church, who has a hit with a song called springsteen. when you think about me do you think about 17? [steven] in the 2010s, genre differences seem to become negligible to the point of nonexistent. you had rappers that made rock songs. and you had country singers who sounded like rappers. you better mind your business, man, watch your mouth before i have to knock that loud mouth out i m tired of talkin , man, y all ain t listenin them old dirt roads is what y all missin yeah, i m chilling on a dirt road [nate] dirt road anthem is a good example of bro country, which is a subgenre of music that is defined by the presence
[music] [nate] and you had dubstep, which was a subgenre of edm, with this just annihilating bass texture. you can hear it in a song like scary monsters and nice sprites. [finneas] dubstep to me was like the most recent time that a really new element of music took over in kind of a mainstream way. it had the same feeling to me as, like, whoever was overdriving their guitar amp for the first time. [music] and i remember listening to it, riding the bus on a choir tour in 2011, just being like, wait for the drop. [music] [nate] with the bass drop, it s all about increasing the tension, making them anticipate the release of that drop. 10, 9, 8, 7 [nate] in a way, it was ripe for parodying, not only the music itself, but kind of the culture.
non-existent. you had rappers that made rock songs, and you had country singers that sound like rock singers. i m tired of talking man, y all ain t listening i m chilling on a dirt road dirt road anthem is a good example of bro country, which is a subgenre. . i never thought she would get down with somebody i know that could be thomas rhett. do you hear that it s where i m at it s the sound of the tear drops falling down that could be florida georgia line. baby you a song you make me want to roll my windows down and cruise country music has become so aggressively commercial that a lot of casual listeners felt like we can t find a way into