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Nachtland review: Is that a Hitler in the attic?

'The Doctor' Off Broadway Review: Juliet Stevenson Gives Woke a Workout

Robert Icke's new play, "The Doctor" starring Juliet Stevenson, doesn't leave a single hot-button issue unpunched

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Stoppard's 'Leopoldstadt' tackles Holocaust, intermarriage, Zionism for NY audience

Semi-autobiographical work by acclaimed British playwright begins Broadway run on Sunday; follows generations of a Jewish family to tell story of assimilation and Nazi genocide

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Indecent review – Paula Vogel's hit play reopens the Menier Chocolate Factory

Indecent review – Paula Vogel's hit play reopens the Menier Chocolate Factory
whatsonstage.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from whatsonstage.com Daily Mail and Mail on Sunday newspapers.

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As Britain enters a political reset, it's time our theatre looked beyond its comfy left-wing bias

James Graham s This House Can we talk about British theatre as being markedly, inveterately and institutionally left-liberal? And if so, is that a problem? A few stray comments in Nicholas Hytner’s Start the Week interview with Andrew Marr on Radio 4 saw Hytner batting away the idea that theatre was a special case in this regard. They had me thinking that it was time to reheat this old chestnut, as the shaken theatre world contemplates the year ahead. Two things at least are now certain. One is that theatrical activity will proceed apace, emboldened by the prospect that the vaccines herald the eventual departure of social distancing and the return of the playhouses in their old convivial, cheek-by-jowl condition. The second is that Brexit is a reality, and both country and Conservative party will enter a new era. The resurgence of theatre coincides with a political reset.

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