MHA is still my easy favorite of the current
Jump landscape, there s just something ineffably charming about
Dr. Stone. Plus knowing your taste in anime boys I m sure you re glad to have Gen back.
Sweeney Todd lookin-ass conman.
Yeah, I m personally pretty happy to have Mister Manipulate Malewife himself back in motion along with his science-splaining counterpart. And I m pretty sure the animators are too.
Dunno what it is with the season and having characters play/sing the opening theme, but I appreciate it. That s easily the best shot in
Stone Wars OP.
It s a good OP too! Probably one of my favorites this season tbh. I just can t help but love it s funky energy.
“In which our hero creates the most dangerous paper airplane of all time.”
Last week I questioned what Senku s plan for victory could possibly be. Taking the cave doesn t change the fact that his forces are still outnumbered and outgunned, and now they are left with no way to retreat. Even if Senku successfully produces gunpowder, that wouldn t stop Tsukasa as he knows that Senku would never use it to kill. However, in this episode, we learn that the gunpowder was never supposed to intimidate Tsukasa, but everyone else.
While the events of last episode made the creation of gunpowder no longer possible, Senku and Chrome are able to jury-rig something even more dangerous: nitroglycerine. All it takes is an exploding paper airplane and an arrow coated in the stuff for Tsukasa s forces to give up on the spot which brings us back to the Tsukasa problem.
Cisco Bradley
12 February 2021
Bassist, composer, and scene-maker William Parker has a colossal figure in creative music since the 1970s, particularly as a musician who has defined the sound of New York beyond the mainstream. His range is astonishing, but so is his focus. His recorded output is vast, particularly lately.
Shying away from dealing with it all is understandable. Parker’s recordings as a leader exceed 100 albums, with sideman work particularly with Cecil Taylor, Charles Gayle, David S. Ware, and Matthew Shipp easily tripling that figure. How can we begin to grasp it all, particularly when the music ranges from modern jazz to free improvisation, from string quartet to vocal art songs?
Matthew Alec & The Soul Electric –
Cleveland Time (Cleveland Time): “Cleveland Time marks the first album release from the group that features Matthew Alec (tenor saxophone and EWI), Brian Woods (piano, keyboards, organs, plus vocals on “Give What You Take” and “Baby You Got Me”), Steven Forest Sanders (guitar, plus vocals on “Enigma Man”), Jared Lees (bass), Jeremiah Hawkins (percussion, plus drums on “Baby You Got Me”), and Leon Henault (drums). The album also features special guests Tom ‘Bones’ Malone (trombone and horn section on “Cleveland Time”), MINUS THE ALIEN (vocals on “Cleveland Time”), and Tim Coyne (trumpet on “Blues For McCoy” and “Enigma Man”)…. “This album has a little bit of everything in it which is exactly what I set out to do,” says saxophonist Matthew Alec. “I wanted a few tunes that were short with strong hooks that would capture people’s attention, I wanted to feature our two vocalists on a tune of their own,
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