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Osundare s sighs of an ailing planet | The Guardian Nigeria News - Nigeria and World News — Guardian Arts — The Guardian Nigeria News – Nigeria and World News

Jahman Anikulapo, former editor of The Guardian on Sunday, will admit that the Committee for Relevant Arts’ (CORA) decision to have a writer as Prof. Niyi Osundare headline its 2022 CORA season is a perfect decision. He and his comrade at arms, Toyin Akinosho, have always lined up great writers to unveil the season, and […]

Pat Metheny: Side-Eye NYC (V1 IV) review – new talent and wily reinventions | Pat Metheny

Pat Metheny: Side-Eye NYC (V1 IV) review – new talent and wily reinventions | Pat Metheny
theguardian.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theguardian.com Daily Mail and Mail on Sunday newspapers.

The pandemic proved a defining moment for Wilmington Children s Chorus

The pandemic proved a defining moment for Wilmington Children s Chorus
delawareonline.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from delawareonline.com Daily Mail and Mail on Sunday newspapers.

Review of Still We Sing: Voices on Violence Against Women-554248

I open the book on a random page and a mother calls me daughter. She calls me to sit with her and tells me on a day like this her mother called her too. They sat in the bed and she expected to be shown some jewel-studded heirloom. But my nani had nothing but scars to show, two marks to carry

The Women of South Asia Sing Their Defiance

The Women of South Asia Sing Their Defiance In this weekend s Verse Affairs , an anthology of poems that embodies women s struggle to escape the maleness of language, and the world itself A protest against violence on women, in the aftermath of Hathras. Photo: PTI Women07/Mar/2021 In her poem ‘Tulips’, Sylvia Plath describes the emotional contours of a person recovering from an unknown operation in a sterile hospital room. Her husband, Ted Hughes, claimed she had written it while recovering from an appendectomy; other scholars have found the shadow of a previous miscarriage and hospitalisation in the poem. The invalid in the poem has received a bouquet of red tulips she doesn’t want – it prevents her from sinking into an anaesthetised oblivion, which is the only relief from physical and emotion pain for her. “I have no face, I have wanted to efface myself,” she writes. I was 16 years old when I first read this poem and immediately realised I could experience the t

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