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Festival of New Musical Voices at The Marsh Berkeley in Berkeley - September 30, 2021

Festival of New Musical Voices at The Marsh Berkeley in Berkeley - September 30, 2021
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The Marsh Berkeley - Events, Things to Do in Berkeley - Theater - Phone Number - Hours - Photos - 2120 Allston Way

The Marsh Berkeley - Events, Things to Do in Berkeley - Theater - Phone Number - Hours - Photos - 2120 Allston Way
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Marga Gomez Returns to The Marsh with Heartrending Memoir - San Francisco Bay Times

Marga Gomez Returns to The Marsh with Heartrending Memoir - San Francisco Bay Times
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BWW Interview: Jeff Greenwald of 108 BELOVED OBJECTS at The Marsh Makes it OK to Let Go of Material Things by Holding Onto Their Stories

Author & Performer Jeff Greenwald If you ve been spending some of your pandemic downtime attempting to declutter your life and have found yourself struggling to let go of certain items of no discernable value or use, Jeff Greenwald has got just the show for you. On May 29th, the acclaimed travel writer and performer will bring his new show, 108 Beloved Objects, to The Marsh, inviting audiences to rethink how we interact with the material world. When his travel assignments dried up due to the COVID pandemic, Greenwald used that as an opportunity to embark on an inward journey around his Oakland flat, ultimately picking out 108 objects that evoked personal passages. Greenwald parts with these items and introduces an element of chance by

The Escape of Frederick Douglass educates through entertainment

Performed by Darryl Van Leer as part of The Marsh’s solo performance spotlight series, “The Escape of Frederick Douglass” is Leer’s adaption of the iconic memoir, “Narrative of the Life of Frederick Douglass, An American Slave.” Filmed in a singular, intimate setting, Leer’s solo performance is full of life, passion and clever adaptability.  The play begins with Leer sitting at a wooden desk, upon which is placed a candle, a piece of parchment and writing instruments. Leer wears a 19th-century historically accurate suit and a calm expression upon his face. Behind him hang black-out curtains, making the compressed setting seem even more timeless. It is clear that the scene is set in a house, not on a stage, which affords the performance important realism.

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