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âThe birth of Krautrock came after Nazi Germany, when there was no culture left in the country, and musicians were like, âWhere do we go from here? What sounds do we make?â It was the sound of a new beginning for those people.â
This quotation isnât from a music history book â itâs from a conversation I had last fall with Nashvilleâs own synthesizer great Eve Maret. The 26-year-old artist was espousing the progressive psychedelic movement stewarded by timeless Teutonic bands of the â60s and â70s like Neu!, Can and Kraftwerk. Though she wasnât necessarily forecasting the giant question mark that is our post-pandemic musical landscape, the discussion feels relevant. Krautrock healed listeners, and Maretâs music has similar aims.
My Wall Brings Meditative Doom, Eve Maret Makes Improv Excursions Streams from the sludgy three-piece and the electronic soloist were highlights of the weekend Tweet
Scene s Q&A with Nashville trio
My Wall last week, the group broke down some of the influences behind its ultra-intense new 12-inch “The Event” backed with “Abuse.” Recorded by drummer
Carlos Ortiz, mixed by Yautja s Shibby Poole and mastered by Mikey Allred at the venerable Dark Arts, the two-song release is a heady hybrid of drone, grunge, hardcore punk and doom metal styles. The group brought the new material to life in a set streamed from
10.Â
Journey (Itâs Yo World)Â
As the profile of Nashvilleâs hip-hop scene rises, so does the star of one of the communityâs biggest talents, rapper Brian Brown. Brown released his debut full-length project
Journey in January, proving that his toolkit contains much more than a knack for lending features and writing catchy loosies like 2018âs âStoop Kidâ or 2017âs âRic Flair.â The excellent
Journey track âA Cashville Storyâ takes stock of current-day Nashville and its gentrification-induced ills, a prime example of Brownâs aptitude for coupling clear-eyed critiques with his hook-laden flows. BRITTNEY McKENNA
9.Â
Walking Proof (New West)Â
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